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On October 11, 2011, Shout! Factory, in collaboration with Hasbro Inc., will release the long-awaited JEM and The Holograms: The Truly Outrageous Complete Series! 11-DVD box set, sparkling with all the episodes in the order they were intended and an exclusive extra DVD packed with bonus features, including archival material rarely seen by fans! Poised to present a hard-to-refuse offer for loyal fans, this uncompromising 11-DVD box set is collected in a specially designed box and will be made available in stores nationwide.
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Best known for her iconic pink hair, star shape earrings, rousing musical numbers and trend setting fashion, Jem knew how to rock her glamour, glitter, fashion and fame and influenced a generation of viewers who grew up watching this animated series.
#Jem and the holograms video game series#
But those drawn to the glitter eye shadow anew may find themselves tickled by its sparkle.America’s best-loved and truly outrageous animated pop star was Jem from the memorable 80’s pop culture series JEM and The Holograms. After the screening I had a longtime Jem and the Holograms enthusiast detail for me all that was missing and “wrong” in this adaptation, so diehards may want to gird themselves. The robo-mascot and its missing parts is so bafflingly out of place it’s actually charming. There’s a bit of a “throw everything against the wall” quality to Jem and the Holograms that strangely works to its favor. It gets overblown in the third act as the “be yourself” message sinks into a quagmire of after-school specialness, but again, I’m not exactly the target audience here. During scenes of confrontation we cut to various musical viral videos for emphasis, a nice touch that mirrors the celebrity-saturated minds of our lead characters.
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The only skin we see is of their agency aide-de-camp, the dreamboat Rio.) Chu further speaks to his audience by using the all of YouTube as something of a Greek chorus. (Importantly, despite all the dress-up, neither Jerrica nor the other girls are ever sexualized. Could they really captivate and inspire the whole of North American society in the course of days like they do in the movie? Of course not. The tunes, including one that’s reminiscent of the Who’s Baba O’Reilly, are all equally catchy. Sure, maybe a cynical producer shouted “ we need something like Pitch Perfect’s Cups!” from behind his desk, but that style of cynicism is no match for Aubrey Peeples’ sunny vocalizations.
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These scenes are preposterous in a movie that was already ridiculous, but it gets us to wonderful moments like the gang breaking into song at the Santa Monica pier, using stray garbage as makeshift instruments. (But not left to her sister Kimber … but let’s not think too much on that.) But the film also stays determined to mirror the source material – and that’s how we end up on a late-night mission looking for clues to assemble a hologram-projecting robot, a legacy gift left to Jerrica by her dad.
On the one hand, it’s a rags-to-riches story of fame in the music business, albeit a chaste, family-friendly one. Photograph: c.Everett Collection/RexĪt the one-hour mark, Chu’s film experiences a curious split.
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Jem! AKA Jem and the Holograms TV series. But when Jerrica’s heartfelt solo acoustic tune gets uploaded to social media it gets the attention of an all-powerful (and maybe untrustworthy?) record executive, a deliciously scene-stealing Juliette Lewis. She and her sisters (one biological, the other two adopted) live with their aunt ( Molly Ringwald) and spend their time poking around on their phones, putting on retro outfits and playing in a garage band. Jerrica Benton (Aubrey Peeples) narrates a YouTube clip, explaining how she became an overnight internet sensation. “Truly Outrageous” is a stretch, but “Mildly Engaging” isn’t much of a tagline. This movie sure means well, and it’s just entertaining enough to (slightly) slip off the shackles of the great cultural conformity factory it ultimately represents. The music is catchy, the costumes are dazzling, the friendships are sweet and Rio (Ryan Guzman), the protective older boy who eventually falls in love with our lead character, is soooooo cuuuuuuute. But those are all big words that have no impact on its intended audiences. The moralizing is omnipresent, the script is desultory and its understanding of the way business and media work is positively jejune. B ased on the 1980s cartoon produced by toy manufacturer Hasbro, Jon M Chu’s updated, live-action film adaptation is by no means anything you’d call a great film.
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